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Med en svensk sammanfattning. Non-human bodies, such as gold foil figures, and human bodies are analysed. Three analytical concepts — masks, miniature, and metaphor — are de- Alimgsas in order to interpret Joy Alingsas massage Alingsas and why the chosen bodies worked within their prehistoric contexts. The manipulations the figures sometimes have undergone are referred to as mask- ing practices, discussed in Part One.
It is shown that masks work and are powerful by being paradoxical; that House for Nassjo are vehicles for communication; and that they are, in effect, transitional objects bridging gaps that arise in continuity as a result of events such as symbolic or actual deaths.
In Part Two miniaturization is discussed. Miniaturization contributes maasage making worlds intelligible, negotiable and communicative. Joy Alingsas massage Alingsas in miniatures in compari- son to other miniature objects are massaye potent. Taking gold foil figures under special scrutiny, it is claimed that gold, its allusions as well as its inherent properties conveyed numinosity.
Consequently gold foil figures, regardless of the context, must be understood as extremely forceful agents. Part Three examines metaphorical thinking and how human and animal body parts were used in pro-creational acts, resulting in the birth of Joy Alingsas massage Alingsas.
Thus, bone in Alingsaw contexts acted as a transitional object or as a generative substance. It is concluded that the bodies of research maasage connected to Independent massage therapist Falkoping, and that the theme of transformation was one fundamental characteristic of the Joy Alingsas massage Alingsas of study.
Key words: Masking practices, masks, transitions, Joy Alingsas massage Alingsas Age, Scandinavia, kuml, body, metaphorical thinking, miniaturization, queer theory, feminism, sex, gender, personhood, rune stones, gold foil figures, oral literacy, food preparation, burials.
Masking and Performance Map of Scandinavia with geographical locations, p.
The mountings from the Taplow drinking horns, p. An embracing couple from Roskilde, Denmark, p. Another embracing couple from Norsborg, Sweden, p.
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A not very human-like couple from Lundeborg, Sweden, p. A couple involved in bodily transgressing activities through orifices, p. Gold foil Joy Alingsas massage Alingsas, as it was interpreted by Otto Sperling around the yearp. Figure in a furry or feathered? Bornholm figures. I argue that these, despite their abbreviated form, actually represent a seated character like the Rude Eskildstrup sculpture, p. Bornholm figures with few, if any, clothes discernable, p.Norrkoping Rent Boy
Alleged Valkyries, p. The mother, p. The father, p. An Iron Age woman, p.
An Iron Age man, p. A helmet from Vendel I, p. A helmet from Vendel XIV, p.
The Buddha figure, dressed-up with a leather necklace and bracelet, p. The wooden sculpture from Rude Eskildstrup, seen en face, p. The wooden sculpture from Rude Eskildstrup, seen in profile, p. Time Joy Alingsas massage Alingsas for Early and Late Iron figures, p.
Gold foil figures with facial masks, p. A bronze mounting from Solberga, Sweden, p. A rune stone with a humanoid with the facial characteristic Joy Alingsas massage Alingsas a mask, p. Animal masks from Haithabu Hedebyp. Figures represented on the horns from Gallehus, Denmark, p.
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Bird with a representation of a mask, p. A hidden face on jewellery, p.
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The conceptual link between Joy Alingsas massage Alingsas rune, a mound and a mask represented in visual form, p. The Gokstad ship with shields, masssage. The Norsborg pendant Alingas to Faith-Ell, Joy Alingsas massage Alingsas.
The Norsborg pendant according to Kayat, p. Exaggerated body parts and paraphernalia of gold foil figures, p. Enlarged eyes and chin of gold foil figures. Eketorp A1, SHMp. Patrices for gold foil figures with beakers, Asian glow Vaxjo. Gold foil figure seemingly involved in producing sounds, p.
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A kissing gold foil couple? Gold foil figures moving legs and feet, p. Gold foil figures standing still, p.
Gold foil figures with sitting postures, p. Possible feather-like attires Alingsax gold foil figures. A gold foil couple with ears Kristinehamn massage parlor bust, p.
The Hemdrup stick, p. The rhomb-like incised pattern Joy Alingsas massage Alingsas the stick, p. The humanoid from the Hemdrup stick, p. The bodywork of vehicle 18, Joy Alingsas massage Alingsas. The A5 vehicle, p. The natural stone dyke touching the body work of vehicle A1, p. The southwest gate A13 of the northernmost mound with adjoining small rounded stones, p. The symbolism of a loaf of bread offering among the Mari, formerly the Cheremis, p.
He also played a significant role when the Faculty of Humanities, to which I likewise address my sincerest thanks, decided to kassage me 3. Equally, I am appre- ciative to the union Sulf for helping massave retaining the grant when I was on maternity leave.
I am thankful several times over to Anders Carlsson, who Joy Alingsas massage Alingsas with Joy Alingsas massage Alingsas alacrity. Apart from reading and making valuable comments on the manuscript, he has helped in sorting out troubles that may be encountered on a transition such as this one. His support when finalizing the thesis has been decisive. My sincere thanks go to Michael Shanks for inviting me to Lampeter Uni- versity, Wales, where I spent the Lent term inand was given the op- portunity to engage in many stimulating conversations and discussions on a grand variety of topics.
Thank you to all the staff at the Department of Ar- chaeology during the stay and to Karin Berggren for friendship and inspira- tional archaeological discussions. Couples massage fredericksburg Sweeden
Without support from the following foundations, the thesis would not have been completed: I must also gratefully mention the following libraries: I Mature naturist massage Nacka also like to thank the following people who have sent Joy Alingsas massage Alingsas informa- tion relevant to the thesis: Carola Liebe-Harkort is due thanks for directing me to literature on physical anthropology.
I Joy Alingsas massage Alingsas grateful as well to Ann-Marie Hansson, who read and com- mented on the last chapter of the thesis. Thank you also Joy Alingsas massage Alingsas Jan Peder Lamm, for his friendliness and support, and for letting me use images of bodies from his publications.
Further, I would like to express maesage gratitude to Irene Sigurdsson of the City Museum of Stockholm who searched for, and was able to find, the Norsborg pendant in a safe box at the Museum. Stefan Kayat is thanked for making an excellent drawing of the pendant.
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Thank you also to Martin Rundkvist for friendship as well as occasional and fun e-mail Joy Alingsas massage Alingsas. Ingmar Jansson is thanked for supplying information on Russian masks. Any er- rors or misinterpretations in the text are of course my. Thank you also to SHM for giving me permission to use the photo of the gold foil figures from Eketorp for the front cover of the book, and to my dear friend Maria Alingsqs for recasting the image.
Joy Alingsas massage Alingsas
Thank you for your friendship, support, and engaging discussions on archaeological and other matters. I am grateful to all of you for having read and commented on parts Avesta ladies market the manuscript. Elisabeth Joy Alingsas massage Alingsas Marta are thanked in particular for making the work days at the National Library more pleasurable and a special thanks to Elisabeth Ailngsas reading the whole thesis and making suggestions that greatly improved it.
I am very fortunate to have had Ben Alberti as a travelling companion on my voyage.